Cinematical is very excited to bring you this exclusive clip from the new flick JCVD, which, surprisingly, has watched a tremendous amount of buzz build around it since it first screened at this past Cannes Film Festival. Now, as part of the 2008 Toronto International Film Festival midnight slate (it premieres tonight!), JCVD will receive a more proper introduction (or should I say, re-introduction) to the world. JCVD, of course, stands for our good friend Jean-Claude Van Damme, star of such action flicks as Kickboxer, Timecop, Universal Solider (first bootleg I ever watched), Double Impact, Death Warrant ... shall I go on?

From what I understand, JCVD follows Van Damme (who stars as himself) as he travels back to his home country in an attempt to find peace and tranquility after whatever was left of his career seemed to vanish. We'll have a review coming up very soon, but in the meantime check out this very funny clip below as it should give you an idea of the vibe this flick is going for. Dare I say this might be one of my most anticipated films of the fall season? JCVD will also play Fantastic Fest before arriving in theaters (in limited release) on November 7.

You might think Fantastic Fest announces their annual line-up in three big chunks so they can get a little extra press, right? (Hell, if that technique is good enough for Toronto, then it's good enough for Fantastic Fest!) That's a small part of it, but the main reason Tim League announces his slate in three big chunks -- is because he's busy trolling the planet up until the very last minute, looking for good movies. (In the past month he's been to Korea, Turkey, and PORTLAND!)

If you're looking for FF Batch One or Batch Two, you can find those here and here OR at the official FF website ... but if you want the final batch, well, you'll find that right here. As usual I'll include the full press release after the jump, but not before mentioning new Fanty* additions like Fanboys (my review here), JT Petty's The Burrowers, The Good, the Bad, and the Weird (which is so good it's playing Telluride, Toronto AND Fantastic Fest), Alien Raiders (aka Supermarket), and the long-awaited Repo! A Genetic Opera from Saw-lord Darren Lynn Bousman.

Woohoo! Not one holocaust documentary or 165-minute French political drama at this festival, folks! And of course you should expect a few last-minute surprises. This is, after all, the festival that scored (way) early screenings of Apocalypto, Persepolis, Southland Tales, Pan's Labyrinth, There Will Be Blood, and ... um ... Postal. FF begins on September 18, and you know who'll be covering for us? The ultra-mega-stellar awesome team of Goss, Martin, Kernion & Weinberg. And we take our genre stuff very seriously.

*Yes, "Fanty." Let's hope it sticks.

I had a ball describing Fear(s) of the Dark to my fellow movie freaks. After really enjoying the film at last January's Sundance Film Festival (and calling Fantastic Fest Master Chief Tim League to give him the scoop), I made sure to come up with an apt description for the film. "Hmm, what's it about?" my fellow fest-goers would ask, to which I'd reply "Oh, it's your typical French animated ... horror ... anthology. In black & white." The next response was either "Oooh, cool," (my friends) or "Meh, not my speed." (total strangers).

Created by a collection of gifted graphic artists that includes names like Charles Burns, Romain Slocombe, and Marie Caillou, Fear(s) of the Dark is not exactly a Creepshow-style omnibus, but for genre fans who can appreciate a little culture now and again, I'd call it a very cool little treat. And if you're a big fan of graphic arts or the craft of animation, then I suspect you'll devour this French delicacy with a very large spoon. Plus, best of all, it's creepy!

Fear(s) of the Dark opens on in New York City (and On Demand! Like in your living room!) on October 24 before rolling into other towns -- and yep, it's also screening a few times at Austin's Fantastic Fest -- but we're very proud to bring you the first official poster for the film. Trust me when I say the poster fits the movie quite well. Click below for the noir-ness!

It is called Fantastic Fest, and porn is pretty fantastic, so I guess it's a perfect match: Kevin Smith's new comedy, Zack and Miri Make a Porno, will have its U.S. premiere as the opening-night film at the raucous genre fest in Austin on Sept. 18. Smith will be there to introduce the film and take questions afterward, so start coming up with good Jersey Girl zingers now.

Afterward, they're holding the Air Sex World Championships there at the Paramount Theater, and audience members are invited to join. Air Sex is like Air Guitar, only dirtier, and requiring less musical ability. If you wanted more proof that Fantastic Fest is not your typical film festival, there you go.

Zack and Miri stars Seth Rogen and Elizabeth Banks as platonic friends who decide to raise money by making a sex tape; hilarity ensues. Smith has promised that the film is the filthiest thing he's ever done, which is no minor feat. The film opens theatrically on Oct. 31.

Fantastic Fest runs Sept. 18-25. The Zack and Miri gala is part of the package for badge holders, and individual tickets will go on sale this Saturday. Check out the fest's website for more details, then prepared to get really bummed if you can't go. I've only been to Austin for South By Southwest, and while that's always a raging good time, I'm jealous of the Cinematical crew that gets to indulge in Fantastic Fest. Maybe if I ask Scott Weinberg really nicely he'll bring me back a severed-head prop or something.

A few weeks back we learned that flicks such as Jack Brooks: Monster Slayer, Let the Right One In, The Tingler and Eagle Eye would be playing at the fourth annual Fantastic Fest in Austin -- and now we have batch number two! (And if you're wondering why I give a little genre fest so much blog-love, all I'll say is "I guess you had to be there." But that phrase could easily translate into the present-tense "I guess you have to go there," if you catch my meaning.)

If you attend this year's event, you'll not only get to mock me -- to my face! -- at the infamous Fantastic Feud, but you'll also be able to catch movies like Acolytes, Wicked Lake, JCVD, Surveillance, Deadgirl, Santos, and Feast 2: Sloppy Seconds! Plus one of this year's themes is a very fun one: That of indie Australian cinema, especially stuff from the '70s and '80s. Of particular note in this department is the new doco Not Quite Hollywood, which looks to be sixteen flavors of Aussie insanity. Full press release on the newly-added features is available after the jump, but for a lot more information (including all the short films!), check out the Fantastic Fest website.

Aw yeah, this is just about my own personal version of Christmas Eve. The first wave of titles for the Austin's lovely Fantastic Fest has splattered into my inbox, so instead of me rambling on about how great Austin is in late September, especially if you're a massive fan of films gory, scary, sexy, twisted and weird, I'll just direct you to a very handy FF press release.

But not before I say this: Of the flicks chosen already, I've seen precisely five: Let the Right One In, Donkey Punch, Spine Tingler, Terra, and Jack Brooks: Monster Slayer. A Swedish vampire coming-of-age story, a British thriller about boat-bound terror, an American documentary about a beloved schlock-slinger, a multi-national animated adventure story, and a scrappy little indie full of monsters that Rick Baker would adore. So from just one random sampling, this is one eclectic mixture of movies. Oh, and for the Hollywood fans: DJ Caruso's Eagle Eye will have its premiere at Fantastic Fest. By only a few days but damn cool anyway. Oh, and a screening of The Tingler? Beyond cool.

Click on in for the first full press release on Fantastic Fest 2008.

(We're re-posting our Postal review from Fantastic Fest in conjunction with the film's theatrical release this weekend.)

There's been a little pre-release buzz on this Postal flick, most of which seems to focus on the assertion that it's either A) Uwe Boll's best film yet, or B) Uwe Boll's first good movie. Well, considering that we're talking about the guy who directed House of the Dead, Alone in the Dark and BloodRayne, "best film yet" doesn't mean a whole hell of a lot. And as far as Uwe's "first good movie" is concerned, well, I suppose we'll have to keep on waiting for that one to show up. The only difference between Postal and Boll's other films is that this one tries to be funny on purpose (and fails), whereas the other three try to be serious while delivering huge laughs.

Based on the popular video game, Postal is about a generic schlub who gradually loses his cool and eventually explodes into a violent lunatic. Imagine the Michael Douglas film Falling Down, only the screenplay was done with finger-paints, and that's pretty much what Postal is "about." There's a whole lot of mirthless wheel-spinning that focuses on stolen dolls, goofy terrorists and freaky cults, but nothing that really assumes the mantle of "central plot." Aside from one good gag in the opening scene, a creatively bizarre closing shot, one strong performance and a (very) small collection of slightly amusing (gross-out or shock value) gags, Postal is every bit as awful as Mr. Boll's earlier output.

The last time I saw my awesome amigo Nacho Vigalondo, it was at a Sundance party during which he was A) very thrilled to have his film play the festival, B) mega-elated that writer/producer Steven Zaillian would be involved in the English-language remake of his film (Timecrimes), and C) seriously drunk and hanging out with an overworked karaoke machine. When I pressed him for additional details, he said something to the effect of "I don't know yet, but .... Steve SALE-IAN, man! He wrote Bobby Fischer and Gangs of New York, man..." To which I responded, "Yeah, dude. Damn good writer. Plus Schindler's List, A Civil Action, American Gangster, and the awesome Falcon and the Snowman!"

The drunken Spaniard's eyes went absolutely wide: "Steve SALE-IAN is remaking my movieeeee!" He was like a little kid on Christmas morning, I swear. It was an awesomely sweet thing to see. But since we weren't really sure about Mr. Zaillian's specific attachment to the remake, this fresh news is also pretty exciting. Wouldn't it be cool if the Timecrimes remake had a Steve Zaillian screenplay and a director named ... David Cronenberg?? (I've seen Timecrimes more than once, and I think Mr. Cronenberg would be a perrrrrrrrfect fit for this time-travel / serial killer material.)

The United Artists re-do is still in the very early stages, so we could see a lot of personnel changes before the American version of Timecrimes hits the scene -- but given how positive the reaction has been among festival audiences, flick-buyers, and remake makers, we might just see it a little sooner than later. In the meantime, keep an eye out for the original film, which is a favorite among the Magnolia gang, and should be getting a release some time later this year.

Gracias: Shock and Blogdecine

A few months back I was fortunate enough to meet up with a powerfully friendly Spaniard called Nacho Vigalondo. He was attending the Fantastic Fest in Austin, and he was there with his first feature film, the very well-received Timecrimes. How well-received? Strong enough that the Sundance programmers took note and snatched the flick for one of their Park City at Midnight slots! (Plus Jette liked it!) So we figured we'd grab a quick chat with Nacho before he becomes the next big Spanish sensation. Here's what the award-winning filmmaker (and passionate horror geek) had to say on the eve of Sundance 2008:

Cinematical: OK, let's start off with the biggie: What's it feel like to get nominated for an Academy Award?

NV: I used to say that that wasn't a dream come true, because I never even dreamed about going to the Oscars! If you check my short films, or if you read my scripts, you'll think I'm not the kind of director that you attach to the Oscars. Having said that, being an Oscar nominee was one of the most incredible and amusing things that has ever happened to me. And it gave me the possibility to shoot a feature film.

Cinematical: Timecrimes was your first feature after a series of well-received short films. What made you switch to long-form storytelling for this particular movie?

NV: The script. I fell in love with the idea. When the Oscar thing happened, and I started thinking of myself as a feature filmmaker, I decided to shoot the impossible film, the movie you couldn't shoot in other conditions. If Timecrimes is not a common film in the US, just imagine Spain, where we don't even have a genre films market.

Cinematical: Timecrimes had its world premiere at the aptly-named Fantastic Fest in Austin last September. Since then you've screened at Sitges in Spain and several other international film festivals. What's the general reaction been so far?

NV: The movie seems to be working. We won another prize in Trieste, Italy: The "Golden Asteroid" in a science fiction festival. I love to see how the people react to the little comedy elements. And the silence of the last quarter-hour, more into suspense and horror ... What I'm most grateful about is that people keep talking about the movie after watching it, discussing what has happened on screen.

OK, I'm sharing this video clip with you despite the fact that, like most of you, I hate seeing myself on video and I hate the sound of my own voice. But the guys over at Dell Lounge were kind enough to put together a video package from my game-show hosting debut, and it just seems right that I share my humiliation on a massive scale.

The very brief and uneventful history of Fantastic Feud: About nine days before Fantastic Fest '07 began, I asked Alamo Drafthouse Lord Tim League if I could help out in some small way. "Perhaps I could host a Texas Hold 'Em poker tournament ... or some sort of horror trivia game show," is pretty much what I said. Tim loved the second idea, so I started coming up with a bunch of trivia questions. The topics ranged from "non-zombie Romero" to "old old school," but the big finale was a "name the director" marathon that I tossed together at the last minute. (I was also very worried that I didn't write enough questions, but turns out I had way more than enough.)

Anyway, the event turned out to be a massive success, thanks mainly to the beers that kept arriving every 12 minutes. Plus we closed the evening with a drunken karaoke session that must surely rank among history's most absurd evenings. My thanks to all who helped out, participated, and stopped by to enjoy the insanity. For the rest of you, we offer this degrading video spectacle that I hope to god my mom never sees.

P.S. The game-show host costume was Tim's idea. It will not be returning for Fantastic Feud II.

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Fantastic Feud from erikhorn on Vimeo